There Is A Gentleness/C'è una gentilezza

<sup>There Is A Gentleness

There is a gentleness
Which is neither soft nor sweet
But emanates from strength.

There is a gentleness
Which stills the storms and violence,
The anger and the lashing out,
The search for scapegoats and excuses.
And when the all familiar folly
Shapes to repeat

There is a gentleness
Which silences the neurotic
And silences the lout.
Even if in some strange context
They both can have their uses.

There is a gentleness
Which works from inner silence,
Soothing and hypnotic,
The inner chattering falls away
And then

There is a gentleness
Which is reflective in the face of loss,
Allows a real Conscience
To speak.
It is only when violence and frustration
Come into play
Again
That I should ask myself
"Why am I so weak?"

© Geoff Davis 2004




C'è una Gentilezza 

C'è una gentilezza
che non è debole nè dolce
ma viene dalla forza.


C'è una gentilezza
che calma le tempeste e la violenza,
la rabbia e l'agitazione,
la ricerca di capri espiatori e scuse
è quando tutta la familiare follia
comincia a ripetersi


C'è una gentilezza
che zittisce il nevrotico
e zittisce lo zoticone
anche se in qualche strano contesto
entrambi possono avere la loro utilità.


C'è una gentilezza
che viene dal silenzio interiore,
rassicurante e ipnotica.
I pensieri rumorosi vanno via
e poi


C'è una gentilezza
che si riflette in un senso di vuoto,
permette alla vera Coscienza
di parlare.
E' solo quando la violenza e la frustrazione
tornano
di nuovo
che devo chiedere a me stesso:
"Perchè sono cosi debole?"


(Translated into Italian by the author and M R Selenu - 2011)</sup>

Let No Man Say There is an End

'A poor poet imitates, a good poet steals' said T S Eliot. I have to confess that I 'stole' a line or two of this short piece from T.S. Eliot himself (from 'Little Gidding' one of 'The Four Quartets') in the full knowledge that I was doing so.



Let No Man Say There Is An End

Let no man say there is an end
For no end fails to mark a new beginning.
Mankind, bacteria of the Universal Mind,
Subject to decay and death and re-creation
Running through a river of relentless change.
Expose the secret of vibration
Then there is no end, and no beginning;
There is everything.

© Geoff Davis


from Behind The Mask (Outposts Publications) 1981

Beyond Reaction

When I react I cannot really feel.
When I respond I scratch the surface
of an undernourished part of me
that connects with what is real.
When I think from the heart
and my body is at peace
I reconnect each disparate part
of that thing we call the psyche.
Sometimes I know and feel
that all that ever was and is and will be
is present here in the Eternal Now
and every note of music born
in fury or in scorn
will reach an end and die
and change its form and live and breathe
in pastures new and pastures old
where there are bridges
that renew, revitalise
and reconnect the active and the passive forces
which fuse and give new birth
to a creation cleansed of lies
and the cul-de-sac of inner dialogue.
There, where heaven and earth
are of no account,
is that realm beyond the two
where neither superstition nor cold logic
come close to what is True.

© Geoff Davis 2010

What is God?

I was partly inspired to write this poem after reading this blogpost What is God? from Professor Jacob Needleman (he has also written a book with the same title which, as yet, I have not read), Professor of Philosophy at  San Francisco State University. Not only did I find his writing intellectually satisfying but it also had a profoundly calming effect on my solar plexus. (Since writing the above I have read the aforementioned book which I found both thought-provoking and uplifting. It has a measured tone and intelligence which is rare in most writing on this subject.)


What is God?

God is where
the ego has no voice,
where Conscience has an objectivity
beyond a culturally or religiously conditioned conscience,
where humility has confidence and innocence and insight
and belongs to everyone and no one.

God is where
every violent thought and feeling and movement
falls away into Silence,
where there is no argument nor explanation nor analysis.

God is where
words and numbers dance
exchanging clothes and meaning
in a Universe that both confuses and delights.

God is where
the labels that we attach to others and to ourselves
have no value
and where we people
are trying to Understand and to Be
in as much as our limitations will allow.

God is where
the thoughts, that turn around in circles and torment,
surrender and acknowledge their own impotence,
where reaction is replaced by reflection.

God is where
the personal and the abstract,
the allegorical and the actual
unite.



© Geoff Davis 2010

Three Weeks Later

This morning I was thinking of a conversation I had with my father three weeks before he died, seven and a half years ago, and I remembered I wrote a poem about it. Strange how you speak straight from the heart, without thinking anything out beforehand, when someone you love is dying.

<sup>Three Weeks Later

"Something’s come over me," he said.
Three weeks later he was dead.
"I don’t believe in anything," he said.
Three weeks later he was dead.
"I don’t want to do anything," he said.
Three weeks later he was dead.
"I don’t think anything matters," he said.
Three weeks later he was dead.
"You think things matter," he said
And I paused and scratched my head.
"Most of the things that we think matter," I replied
Just three weeks before he died
"Don’t matter in the least," I sighed
Just three weeks before he died.
"But some things matter," I replied
Just three weeks before he died.
"And there is never nothing," I replied
Just three weeks before he died
"There is always something," I replied
Just three weeks before he died
"So I believe in something," I sighed
Just three weeks before he died
"Even if I don’t know what that something is," I said.
Three weeks later he was dead.
"Yes," he said. "There’s always that."
And that concluded our little chat
And I like to think that discourse gave
Something he took with him to the grave.


© Geoff Davis 2003</sup>

A Dedication To The Sea (A translation of one of Raimondo Selenu's poems along with the Italian original)

A Dedication To The Sea
by Raimondo Selenu

I sit silently beside you
between the memories
of an old sailing boat
and the future hopes
of a speedy motorboat.

I feel
like a small child
who listens attentively
to what it is you have to say.

Your way of speaking impresses me.

I am the sand that loves the waves
and lives in the immensity of your breath,
listening to the song
of the reef.

Alongside you I appear so small
amongst the pebbles
smooth with age
and shells
that dwell within you.

I curl myself up like a small child
finding nourishment
in fairy tales and adventure stories.

I adore your way of speaking.

© Raimondo Selenu (Trans. from the Italian by Geoff Davis)




And this is the Italian original:-



      Dedicato Al Mare



Mi siedo silenzioso accanto a te,
                 tra i ricordi
  di una vecchia barca a vela
             e le speranze
     di un motore fuoribordo.


                Mi sento
     come un piccolo bambino,
                che ascolta
          ciò che hai da dire.


Mi impressiona il tuo modo di parlare.


     Sono sabbia che ama le tue onde
        e vive nell'immenso tuo respiro
            nell'ascolto del tuo canto
                   alla scogliera.


     Mi faccio piccolino accanto a te
                      tra i sassi
               levigati dai tuoi anni
                      e conchiglie
                 che abitano in te.

Mi accuccio come un piccolo bambino
                     per nutrirmi
             di fiabe e di avventure.


        Adoro il tuo modo di parlare.


© Raimondo Selenu



You can read more of my translations of Raimondo's poems here

Nuoro

So here I am in Nuoro,
this untidy mess of a town
which is nonetheless endearing.
"Il comune non fa niente!"*
is what I keep on hearing.
Sun scorched scruffy weeds
and dirt and litter adorn
the uneven pavement
while some have sought
to see to feline needs
with a plate or two of fish-heads
left out for the strays;
the buildings blighted by graffiti,
beautiful and ugly in equal measure
and cars parked curiously
at strange angles from the kerb.
And then the gems, the treasure:
the stunning vista of the mountains
from Via Aspromonte
and the valley between Mt Ortobene
and the edge of town;
how Via Corso Garibaldi
comes to life on summer evenings,
the bars packed and thriving,
the Nuorese of every generation
walking up and down
with youth, beautiful and tanned,
showing its propensity
for elegance and style;
the museums displaying
the cultural heritage of a town
that gave us Nobel Prize winning writer
Grazia Deledda and poet Sebastiano Satta
and artists and sculptors
whose charming works beguile.
Nuoro is like a woman
whose potential beauty sometimes delights,
occasionally astounds and also frustrates
wrapped up in the frumpy clothing
of habit and convenience
that draw attention to
the lines upon her face
but seldom have I known
people of such warmth and generosity
inhabit any other place.

Geoff Davis © 2010

* The council do nothing!

View from Via Aspromonte